Lis’n Tell is an approach to communication development which is student centred.
It works to their strengths. Core techniques include how to combine verbally and non-verbally:
- Rhythm and Role
- Rhyme
- Repetition and Ritual (intensified meaning through repetitive yet interesting and rhythmical activities linked to the story)
There are core principles of practise which include:
- Use of significant objects/words/events which engage the attention of the students
- Iconic gestures to help convey the meaning of the story and support semantic development
- Creating situations where they are referred to as experts, however ‘low’ or ‘high’ their skills
- Integrating staff and students in a creative collaboration
- Enhancing spontaneous communication
- Creating specific educational and therapeutic goals
- Measuring outcomes
There are various levels of trainings:
Training for parents and professionals:
Tasters:
Interactive Talks
Numbers: unlimited.
Introductions – One day
Numbers: up to 30
It is required that initially, at least 2-3 SLTs, Teachers or experienced Assistants, do the two day Part 1 Intensive. They can then use their deeper experience, understanding and practise to support the others who do the Lis’n Tell Intro Day.
Trainings – Two days
Part 1 (two days) for teams/groups numbers: up to 20 participants
Part 1 (two days) Intensive
Numbers: up to 12
The participants get:
- Intensive practice
- Intensive demonstrations/ attention/feedback from me
- Increased opportunities to discuss their students’ aims and ways of measuring outcomes
Part 2 (two days) intensive
numbers : up to 8. Participants need to have used Lis’n Tell for six months minimum, prepare video evidence and a presentation of 20 minutes to present to the group.
Part 3 Advanced level to become a Lis’n Tell trainer.
Please contact Louise for more details: lfc@lisntell.co.uk
Related Research and Evidence:
Key components of Lis’n Tell, e.g. use of iconic gesture and rhythm, are built on evidence-based theories of word learning and memory and storytelling and literacy development.
For example:
use of iconic gesture
- Gesture supports children’s word learning { KARLA K. MCGREGOR University of Iowa, USA, International Journal of Speech-Language Pathology, 2008; 10(3): 112 – 117
poetry and rhythm in education
- Rhythmic Perception, Music and Language: A New Theoretical Framework for Understanding and Remediating Specific Language Impairment(Apr 2010- Sept 2014) – The Nuffield Foundation,
(Research Associate: Dr Ruth Cumming; Research Assistant: Dr Anji Wilson) - “Poetry aloud: The effect of poetic sound on children’s literacy skills”. Kate Prentice, under Professor Goswami ( Director of The Institute of Neuroscience in Education, University of Cambridge)A two-year intervention project, examining the hypothesis that regular interaction with the sounds and rhythms of poetry will help to enhance the literacy skills of 5-7 year old children.Part of Kate’s research was featured in the BBC Radio 4 programme Inside the Brain of a 5-year-old with Claudia Hammond, on 29th March 2010.
the effects of storytelling
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